The band used the collective pseudonym "McGannahan Skjellyfetti" for their group-written originals and arrangements.
is introducing the Grateful Dead to the world." The label's A & R manager, Joe Smith, is noted for saying he " proud that Warner Bros. held an album release party on Maat the Fugazi Hall in North Beach. The freeform FM radio format that favored bands like the Dead was still developing. Though the album was considered "a big deal in San Francisco", it did not see much airplay on AM radio stations outside of the Bay Area. We were still learning how to be a band." Phil Lesh comments in his autobiography, "to my ear, the only track that sounds at all like we did at the time is Viola Lee Blues.None of us had any experience with performing for recording.the whole process felt a bit rushed." Bill Kreutzmann, in his autobiography, says of the songs, "their recorded versions failed to capture the energy that we had when we performed them live.We weren’t that good yet. Due to demands by the band's label, Warner Brothers, four of the tracks were edited for length. The group picked David Hassinger to produce because he had worked as an engineer on the Rolling Stones' " (I Can't Get No) Satisfaction" and Jefferson Airplane's Surrealistic Pillow album (on the latter of which Jerry Garcia had guested and suggested the album title). The band had wanted to record the tracks in their hometown of San Francisco, but no recording studios in the area had modernized equipment at the time. The album was primarily recorded at RCA's Studio A, in Los Angeles, in only four days.
According to the biographies of both bassist Phil Lesh and drummer Bill Kreutzmann, the band released the album as San Francisco's Grateful Dead. The Grateful Dead is the debut album of the Grateful Dead.
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